In most cases, you can leave the default settings for the color temperature (D65, 6500K) and the tone curve. Set the Color Reproductionīefore you start the calibration process, the device will offer you to choose the color reproduction settings – color temperature, tone curve, and brightness. If you can’t avoid working in suboptimal conditions, for instance in bright light, use a monitor hood that will protect the screen from direct light rays. In the perfect scenario, everything is colored in a monotonous grey color. The field of view of your workspace shouldn’t include any bright or glaring objects. Light sources that have a dynamic color temperature, mainly windows, should be separated, preferably with dense curtains, especially during the morning and evening time. Use average power lamps with a matte lampshade, preferably with high color reproduction and temperature index that is consistent with your screen. Your workspace should be protected from strong lighting, especially if it falls directly onto the screen. To make calibration as effective as possible, you need to work in a “calibrated” environment. You don’t have to organize any special conditions for the calibration such as turning off the lights or covering the screen with a dark fabric or a monitor cover – the calibration should be done in the exact conditions you work on the monitor every day.
The calibration process requires minimum user involvement and is completed automatically regardless of whether you’re using the best monitor calibration for photographers or an entry-level device.
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